Lefe Story of Aristotle and His Contributions

Within these writings we point out the philosophy of Aristotle on a number of topics, from epic imposture and tragedy to his views on virtue, justice, and the good animation. Three of Aristotle's most solid writings that remain influential to this day ar his treatises cognise as Rhetoric, Poetics, and Nichomachean Ethics. In Rhetoric, Aristotle took issue with Plato's disdain for rhetoric as an art and skill. Speeches are made to post and are utile in doing so, according to Aristotle, when they include logos, pathos, and ethos. In Rhetoric, Aristotle maintains that there are three kinds of persuasive appeals: Logos; Pathos; Ethos. Logos has to do with appeals to the reason of the audience. Pathos appeals to the emotions of the audience. Ethos is appeal based on the speaker's character. such(prenominal) appeals are internal arguments that help a speaker persuade his audience of the validity of what is being said. Logos, Pathos and Ethos are besides known as artistic proofs that, according to Simmons (2001), "provide resources of confabulation that are available to the public speaker or inducer" (48).

In Poetics, Aristotle provides his philosophy of art, tragedy, and epic drama. Aristotle moved his own structure of art as imitation of nature from the writing of Plato, who as puff up asserted that art is imitation. In Poetics, Aristotle justified poetry (and former(a) arts) as valid on two grounds: the right and validity of art as imi

tation of nature, or as a form of knowledge, and secondly the morally desirable effect of this awareness on the human mind, (Bate, 1970, p. 14). In Poetics, Aristotle (1957) maintains that tragedy is "an imitation not only of a remove action, but also of incidents arousing fear and pity (p. 637).

Central to Aristotle's philosophy as to the definition of art is his view of katharsis, a movement which operates by first exciting and then calming emotion. tragic drama not only arouses the sympathetic identification of the audience by presenting and imitation of human nature - but also, by appealing to the instinct for harmonia as well as mimesis (imitation), presents an tenacious and proportioned regularity of structure interrelated through Aristotle's law of " hazard and necessity," (Bate, 1970, p. 18). Aristotle also maintained that unities of time, place, and space must be include in tragedy, along with a beginning, middle, and end.

Aristotle's views on virtue, happiness, pleasure, and the good life can be found in Nichomachean Ethics. In this institute both(prenominal) pleasure and happiness play an important role. Aristotle (1952) states that "both the general run of men and people of superior finishing say that it [the highest good] is happiness and identify living well and doing well with being happy; but with regard to what happiness is they differ," (I, 4, 1095a 15-20). cheer of eudaimonia is the highest of all goods ach
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