Polonaise from Orchestral Suite BWV 1067
* transverse flute soft, middle register scale like movement, upwards and downwards
* accompany by the orchestra (piano, cello, violin)
* Key : B minor
* quantify key signature: ¾
* Range: D4 F#6
* Structure is in twofold form ABA
* 00:06: Flute and orchestra came in Flute had the main sound. They compete in 7 bars (f-forte)
* 00:18: They contend can again (p-piano) in 7 bars
* 00:29: They play spine again (f-forte) in 7 bars, went up ....octave.
* 00:43: They contend back to B minor (p-piano) the melody is a pip changed ( 7 bars)
* 00:52: They play back again ( selfsame(prenominal) as 00:43) went up ...octave. (7 bars) (f-forte)
* 01:04: They played back to B minor (p-piano) (7 bars) (same as 00:52)
* 01:17: Flute played fast and emotively (violin +cello played softly at the back) (8 bars) => repeated in 2 times
* 01:40: Flute played new heartbeat violin played at the back same as the beginning.
* 01:50 : They played back same as 01:17 moved to the rhythm at 01:40
* 02:13: They played back same as 01:17 calando at the end (8 bars)
* 02:26: same as the beginning (00:1800:2900:43)
* Brief history:
Suite NO.
2 in B minor is in French style, as were many an(prenominal) compositions of this kind in Germany in the 1st half of ht e eighteenth century, when French national taste was predominated. The Ouverture is the style true under Lully in France, a solemn introduction in marked rhythm leading to a more quick fugal section, ending with a return to the solemnity of the opening. A lively Rondeau follows and a stately Sarabande. The two Bourree ar played in alternation, followed by a Polonaise and a come through variation by the flute. The Suite ends with a Minuet and a Badinerie, a light-hearted and brilliant conclusion.
CLASSICAL
Coda from Larghetto of Piano Concerto, K. 491
* Key: E-flat major
* Time signature: 4/4
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